A young lawyer joins forces with a veteran attorney to help exploited migrant workers in Southern Florida's sugar industry.

In 2019, after his three Maze Runner films grossed nearly $1 billion on a $156 million spend, Ball was days away from production on 20th Century Fox’s Mouse Guard adaptation, but then the Disney-Fox merger abruptly canceled his ambitious mocap-centric project that counted Reeves and Serkis as producer and actor, respectively. However, later that year, Ball got a call from 20th’s longtime president of production, Emma Watts, which he believes was her way to make amends for Mouse Guard’s collapse. 　　“Yeah, that’s probably what it was … Emma Watts called me and said, ‘Sorry about the Mouse Guard thing, but what would you do with the next Planet of the Apes?’” Ball tells The Hollywood Reporter. “So it took me a minute to get my head around that idea. I wasn’t sure it was the right thing to do until we found our way into something that I thought was worthy of following up the previous three.” 　　Ball’s way into a new potential trilogy began with the aforementioned time jump where different clans of apes now reside in their own villages, including the Eagle Clan and their sheltered yet serene existence alongside their loyal eagle companions. Noa (Owen Teague), a sensitive young chimpanzee, is on the verge of adulthood within the Eagle Clan when Proximus Caesar’s (Kevin Durand) coastal clan of hostile apes pillages his family’s community, forcing him to go on a journey where he finally learns about the real world and who the real Caesar was from the learned orangutan, Raka (Peter Macon), and who he wasn’t from the power-hungry bonobo, Proximus. 　　The kicker is that Noa also encounters a seemingly feral human, but she’s really an intelligent young woman named Mae (Freya Allan), establishing that this new potential trilogy won’t be an ape story that resets its human cast with each movie like the prior trilogy of the 2010s.

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A French resistant during World War II saves the lives of two men, an American soldier and a German deserter, and intends to protect them from the two opposite camps.

Drawing from his experience as a fire-lookout in the Sequoia forests of the Sierra Nevada in California, Armand Yervant Tufenkian constructs a careful study of the visual documentation of forest fires. Shot on 16mm but bringing together various media technology (from painting to photography to surveillance webcams) and modes of representation, In the Manner of Smoke moves back and forth between California, where Tufenkian’s camera scans the landscape, and London, where artist Dan Hays is observed as he meticulously reproduces, painting pixel by pixel, blown-up webcam footage from the look-out cabin, including images from a particularly devastating fire in 2015 when the landscape choked with smoke for several days. “Reverie and observation forge relations among a landscape painter in London and a veteran fire lookout in California […] the film forms an ecology of images from distinct and ultimately interlinked perspectives.”

In the Company of Kings follows a fight fan’s unforgettable journey into the dark heart of American boxing to talk to eight former World Champs and those closest to his hero, Muhammad Ali, about race, struggle, victory, defeat and picking yourself up off the canvas. Features Larry Holmes, Bernard Hopkins, Tim Witherspoon, Earnie Shavers, the Spinks brothers, Bob Arum and more.